“I guess humans like to watch a little destruction. Sand castles, houses of cards, that’s where they begin. “
I love this book even as I’m sucked into the throes of its deepest tragedies. Even as I’d watched the movie midway through the book, I was unprepared for its ending. Nazism, constant bombings, war-torn countries and broken families set the backdrop amidst the seemingly detached, occasionally soulful, narration by a nameless, hooded Death – a collector of souls whom have left their earthly bodies. Markus Zusak’s book is a lingering remnant of World War II – Deah narrates the chance encounters between himself and Liesel Meminger, a foster child on 33 Himmel Street, Germany.
“He was waving. “Saukerl,” she laughed, and as she held up her hand, she knew completely that he was simultaneously calling her a Saumensch. I think that’s as close to love as eleven-year-olds can get.”
I loved Rudy Steiner in this book – the movie couldn’t give him half the heroic credit he deserved. Rudy Steiner was: Three times Hitler Youth Athletics medallist; a bread-giver to starving Jews even as his own stomach was growling; a straight A student even though all he ever did was rebel – and all he ever wanted was Liesel’s kiss. Liesel and Rudy’s subtle puppy love breaks my heart all the time, especially towards the end.
“Often I wish this would all be over, Liesel, but then somehow you do something like walk down the basement steps with a snowman in your hands.” – Max Vandenburg
Max Vandenburg is a master of words. He is the Jew in the basement whom Liesel and her family hides. He is saved by words, Liesel’s words to be exact, when each night he laid unconscious in bed he was fed with a multitude of words. With determination to thank the girl he weaves and leaves behind stories of a lifetime and more. Like Rudy, Max wishes to beat the crap out of the Führer and hence his story is that of the Jewish fist-fighter.
“His soul sat up. It met me. Those kinds of souls always do – the best ones. The ones who rise up and say “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places.” (On Hans Hubermann)
Liesel’s foster father, Hans Hubermann, is the reason why I still believe in good people. He loves Liesel like his own, teaches her to write and read, receives a beating for feeding a Jew, and is deeply indebted to the man who first taught him to play the accordion (and died on his behalf), so much so that he was willing to hide a Jew in the basement to return the favour. In much of the book, he is the doting father. A saint.
Liesel’s foster mother Rosa Hubermann rules with an iron fist but is the epitome of a hard shell with the softest core. Her unappreciated pea soup shows up a lot, and the hardship of Germans in the 1940s were best illustrated by how much food Rosa puts on the table each night. As loud as she gets, her soft-heartedness beams through whenever Liesel has her back turned because that’s when Rosa shows how much she actually loves her foster child.
“The consequence of this is that I’m always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. (Death)”
Death’s cryptic final words: I am haunted by humans.
The book will break your heart from its sheer brutality (all masked by the predominant story until the concluding chapter where it all comes too close for comfort).
“At first, she could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him?”
And the happy ending is left to your own imagination. Who exactly was the husband Liesel spends a lifetime with before Death comes to her?
“A SMALL PIECE OF TRUTH
I do not carry a sickle or scythe.
I only wear a hooded black robe when it’s cold.
And I don’t have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I’ll help you out. Find yourself a mirror while I continue.” -DEATH